(Temporada Alta )
Teatre de Salt (Salt)
On 15/10/2003
Presentation :
On 15/10/2003 at 22:00 in Teatre de Salt (Salt)
Lisa Nelson, María Muñoz
A get together carried out by dancers and choreographers for a period of 3 weeks, Lisa Nelson and María Muñoz at 'L'animal a l'esquena'. With the collaboration of Festival Internacional de Teatre Temporada Alta 2003 (High Season International Theatre Festival).
It is an act of optimism to propose, in these times on the planet, new dances in opened scenarios. The fact of Being, with capacity for representation, creates in us the urgency for talking, for discovering forces hard to name. Dancers, in their encounters/meetings, bring their own tools: personal physical techniques and representational practices that reveal meeting and divergence points, habits with which to look and respond physically to perceived conditions.
We bring inherited practices and those we have invented in order to open a dialogue and choose a conductive thread that can take us through the prescribed moment to the prescribed public place.
That is what the skeleton process consists of.
Teatre de Salt (Salt)
On 15/10/2003
Presentation :
On 15/10/2003 at 22:00 in Teatre de Salt (Salt)
Lisa Nelson, María Muñoz
A get together carried out by dancers and choreographers for a period of 3 weeks, Lisa Nelson and María Muñoz at 'L'animal a l'esquena'. With the collaboration of Festival Internacional de Teatre Temporada Alta 2003 (High Season International Theatre Festival).
It is an act of optimism to propose, in these times on the planet, new dances in opened scenarios. The fact of Being, with capacity for representation, creates in us the urgency for talking, for discovering forces hard to name. Dancers, in their encounters/meetings, bring their own tools: personal physical techniques and representational practices that reveal meeting and divergence points, habits with which to look and respond physically to perceived conditions.
We bring inherited practices and those we have invented in order to open a dialogue and choose a conductive thread that can take us through the prescribed moment to the prescribed public place.
That is what the skeleton process consists of.
;)
;)
;)
;)
;)
| 39/1 | Video | 01/10/2003 | [43min] | Eng / Cat | Rehearsal I |
| 39/2 | Video | 03/10/2003 | [1h] | Eng / Cat | Rehearsal II |
| 39/3 | Video | 07/10/2003 | [1h] | Eng / Cat | Rehearsal III |
| 39/4 | Video | 08/10/2003 | [1h] | Eng / Cat | Rehearsal IV |
| 39/5 | Video | 08/10/2003 | [50min] | Eng / Cat | Rehearsal V |
| 39/6 | Video | 10/10/2003 | [42min] | Eng / Cat | Rehearsal VI |
| 39/7 | Video | 10/10/2003 | [42min] | Eng / Cat | Rehearsal VII |
| 39/13 |  | 15/10/2003 | [5] | Activity pictures | |
| 39/8 | Video | 15/10/2003 | [32min] | Eng / Cat | Rehearsal (without costumes) VIII, Salt Theater |
| 39/9 | Video | 15/10/2003 | [37min] | Eng / Cat | Rehearsal (with costumes) IX, Salt Theater |
| 39/10 |  | 15/10/2003 | [43min] | Performance, Salt Theater | |
| 39/11 | Video | 15/10/2003 | [32min] | Eng / Cat | Performance (side take), Salt Theater |
| 39/12 | Video | 15/10/2003 | [15min] | Eng / Cat | Talk |
| 39/14 |  | 15/11/2003 | Cat | Activity Announcement |
