(Creation Residence )
L'animal a l'esquena (Celrà)
From 26/03/2018 to 31/03/2018
Elena Córdoba
( Elena Córdoba, María del Mar López, Jesús Rubio, María José Pire, José Manuel Prades )
Salvajes is the second part of La edad de la carne, a study and creation project on ageing bodies.
In this process we are setting out to look at the idea of choreography (written movement) as if, more than an artistic discipline, it were an agreement between everything that moves. The question is, how far can choreography be a meeting space between different natures, different bodies, different times?
A starting point for the work: to trace the spaces where anatomy ceases to be inwards from the skin to become a point of contact with another or the other.
It's not that they're wild, but
their will is the same as desire.
The sky peels back under their blade.
Overhead the geese are a line,
a moving scar. Wavering
like a strand of pollen on the surface of a pond.
Like them, we carry each year in our bodies.
Our blood is time.
From Miner’s Pond by Anne Michaels
L'animal a l'esquena (Celrà)
From 26/03/2018 to 31/03/2018
Elena Córdoba
( Elena Córdoba, María del Mar López, Jesús Rubio, María José Pire, José Manuel Prades )
Salvajes is the second part of La edad de la carne, a study and creation project on ageing bodies.
In this process we are setting out to look at the idea of choreography (written movement) as if, more than an artistic discipline, it were an agreement between everything that moves. The question is, how far can choreography be a meeting space between different natures, different bodies, different times?
A starting point for the work: to trace the spaces where anatomy ceases to be inwards from the skin to become a point of contact with another or the other.
It's not that they're wild, but
their will is the same as desire.
The sky peels back under their blade.
Overhead the geese are a line,
a moving scar. Wavering
like a strand of pollen on the surface of a pond.
Like them, we carry each year in our bodies.
Our blood is time.
From Miner’s Pond by Anne Michaels
