(Collaborative Project )
L'animal a l'esquena (Celrà)
From 15/07/2019 to 26/07/2019
Presentation :
On 26/07/2019 at 19:00 in L'animal a l'esquena (Celrà)
Federica Porello, Les Chasseurs Cueilleurs
In this first phase of the creation of El aspecto sensorial de las cosas (provisional title), Federica Porello will look into the multi-faceted potential of the various elements of the stage: the performer, objects, light and sound. She is interested in studying the different degrees of presence in a performer, from being observed to addressing the audience directly, and the different states of the silent audience: contemplative, decoding enigmas, receptive…
The ingredients for the research will be the different kinds of relationship between movement and music (visual representation of the sound, coexistence, dialogue…) and between actions and objects (manipulation, animation, interdependence…).
Her original reference points will be the musical pieces Il trillo del diavolo by Giuseppe Tartini, Sonata for Cello Solo by György Ligeti and Moto perpetuo, Op. 11 by Niccolò Paganini.
The objects she will begin working with will be pieces of wood, either singly or linked to create jointed objects.
L'animal a l'esquena (Celrà)
From 15/07/2019 to 26/07/2019
Presentation :
On 26/07/2019 at 19:00 in L'animal a l'esquena (Celrà)
Federica Porello, Les Chasseurs Cueilleurs
In this first phase of the creation of El aspecto sensorial de las cosas (provisional title), Federica Porello will look into the multi-faceted potential of the various elements of the stage: the performer, objects, light and sound. She is interested in studying the different degrees of presence in a performer, from being observed to addressing the audience directly, and the different states of the silent audience: contemplative, decoding enigmas, receptive…
The ingredients for the research will be the different kinds of relationship between movement and music (visual representation of the sound, coexistence, dialogue…) and between actions and objects (manipulation, animation, interdependence…).
Her original reference points will be the musical pieces Il trillo del diavolo by Giuseppe Tartini, Sonata for Cello Solo by György Ligeti and Moto perpetuo, Op. 11 by Niccolò Paganini.
The objects she will begin working with will be pieces of wood, either singly or linked to create jointed objects.
