(Creation Residence )
L'animal a l'esquena (Celrà)
From 18/09/2023 to 23/09/2023
Miquel Fiol – Dani Claret
What do we do with the lives we don’t want?
Who has the access to be well in a world that is so sick?
The idea comes from the conflict produced when two realities meet, clash, coincide at the same spot with different points of view. How the drive of a body adapts to situations it cannot conceive. It’s as if reason were escaping from reason.
Who has the power to change your view? Is it difficult to try to perceive another reality with empathy? The perception of a reality should not be called into question. So, how do we relate to each other?
You really don’t understand an antagonist until you understand that he or she is the protagonist of his or her own version of the world. There are two sides to every story.
This is a dialogue between two different languages, sound and body, presenting two different experiences in relation to artistic creation. The coexistence of these two poetic visions can create flow or conflict. How do they live together in dialogue, knowing that there are as many versions of any one accident as witnesses who have seen it happen?
Two interlocutors with their baggage, wise in their subjects
Two understandings of their respective worlds
Two professionals on their instruments
Two experts on their own languages
Two intelligent adults
Two curious children
Two truths
Two
L'animal a l'esquena (Celrà)
From 18/09/2023 to 23/09/2023
Miquel Fiol – Dani Claret
What do we do with the lives we don’t want?
Who has the access to be well in a world that is so sick?
The idea comes from the conflict produced when two realities meet, clash, coincide at the same spot with different points of view. How the drive of a body adapts to situations it cannot conceive. It’s as if reason were escaping from reason.
Who has the power to change your view? Is it difficult to try to perceive another reality with empathy? The perception of a reality should not be called into question. So, how do we relate to each other?
You really don’t understand an antagonist until you understand that he or she is the protagonist of his or her own version of the world. There are two sides to every story.
This is a dialogue between two different languages, sound and body, presenting two different experiences in relation to artistic creation. The coexistence of these two poetic visions can create flow or conflict. How do they live together in dialogue, knowing that there are as many versions of any one accident as witnesses who have seen it happen?
Two interlocutors with their baggage, wise in their subjects
Two understandings of their respective worlds
Two professionals on their instruments
Two experts on their own languages
Two intelligent adults
Two curious children
Two truths
Two
