Now 
2018
 Creation Residence
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THE BLACK BODY,THE BLUE MIND AND THE FLUORESCENT GUTS

L'animal a l'esquena (Celrà)
From 06/08/2018 to 19/08/2018

Sònia Gómez
( Sònia Gómez, Raquel Gualtero, Núria Guiu, Magí Serra, Quim Bigas, Pere Jou, Txalo Toloza )

The starting point is a line or row of people in the space.
The performers are placed in a premeditated order from left to right, dancer next to performer: Raquel Gualtero - Núria Guiu - Magí Serra - Quim Bigas - Pere Jou - Txalo Toloza.

At first sight it’s a little anecdotal to begin a project in this way. It’s very simple, the interest lies in how the body in motion and its outward appearance relates within the structure of a ballet. How can we make a ballet between Dancers and Performers? How can they be mixed? What advantages and disadvantages will they each have? How can they each be themselves and at the same time form a single body? What will this combination of profiles have to offer?



 Creation Residence
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Cuatro octavas y media /Four and a Half Octaves

L'animal a l'esquena (Celrà)
From 20/08/2018 to 25/08/2018

Mònica Muntaner, Rosa Muñoz
( Mònica Muntaner, Rosa Muñoz )

Collaboration with La Poderosa, Barcelona

The project grew out of the two choreographers’ poetic and emotional need to express where they are in their lives. To go back, perhaps, over everything they have experienced, the music they like, the actions on stage that most move them or best represent them, their shared and individual interests and take it all further, to somewhere new. A fresh and truthful place.



 Creation Residence
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SCORZO/FORESHORTENING (a broadcast)

L'animal a l'esquena (Celrà)
From 27/08/2018 to 01/09/2018

Beatriz Fernández, Marina Colomina
( Beatriz Fernández, Marina Colomina )

La Poderosa has invited me to do a broadcast of the piece Escorzo as part of Hacer Historia(s)/Making (Hi)stor(y)ies.
This solo, created in 2003, was forged during a period which began for me when I started working with Oscar Dasí and Carmelo Salazar in 1995. At that time I was acting as a life model for Fine Arts students. The role of being observed as a body-object to be drawn or painted in real time gave me the foundations, the questions and the starting point to construct the kind of presence and movement that inhabits this piece.



 Workshop
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Tools for Action

L'animal a l'esquena (Celrà)
From 10/09/2018 to 14/09/2018

Mal Pelo
( Mal Pelo, Pep Ramis, María Muñoz )

Mal Pelo offers a workshop in which to try out the mechanisms of action and what they may lead to. A look at movement and composition for the body in action. Precision, endurance, commitment, intensity, silence, absences, presences, punctuation, habitability, surrender, phrasing, punctuation, lineality, temporality, musicality, rhythm and composition are some of the terms we shall be looking at during the course.
To act: 1. To carry out an action 2. To make movements and gestures to make something understood 3. To command the action of a mechanism.

detalls




 Workshop
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Mal Pelo (Pep Ramis)

L'animal a l'esquena (Celrà)
From 17/09/2018 to 21/09/2018

Mal Pelo, Pep Ramis
( Mal Pelo, Pep Ramis )

Pep Ramis offers a workshop in which to try out the mechanisms of action and what they may lead to. A look at movement and composition for the body in action. Precision, endurance, commitment, intensity, silence, absences, presences, punctuation, habitability, surrender, phrasing, punctuation, lineality, temporality, musicality, rhythm and composition are some of the terms we shall be looking at during the course. 
To act: 1. To carry out an action 2. To make movements and gestures to make something understood 3. To command the action of a mechanism. 

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