Now 
2019
 Collaborative Project
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EL ASPECTO SENSORIAL DE LAS COSAS/THE SENSORY SIDE OF THINGS

L'animal a l'esquena (Celrà)
From 15/07/2019 to 26/07/2019
Presentation :
On 26/07/2019 at 19:00 in L'animal a l'esquena (Celrà)

Federica Porello, Les Chasseurs Cueilleurs
( Federica Porello, Les Chasseurs Cueilleurs )

In this first phase of the creation of El aspecto sensorial de las cosas (provisional title), Federica Porello will look into the multi-faceted potential of the various elements of the stage: the performer, objects, light and sound. She is interested in studying the different degrees of presence in a performer, from being observed to addressing the audience directly, and the different states of the silent audience: contemplative, decoding enigmas, receptive…
The ingredients for the research will be the different kinds of relationship between movement and music (visual representation of the sound, coexistence, dialogue…) and between actions and objects (manipulation, animation, interdependence…).
Her original reference points will be the musical pieces Il trillo del diavolo by Giuseppe Tartini, Sonata for Cello Solo by György Ligeti and Moto perpetuo, Op. 11 by Niccolò Paganini.
The objects she will begin working with will be pieces of wood, either singly or linked to create jointed objects.



 Writing Residence
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Cuadernos sobre el tocar / fulgor / tachin [Notebooks on Touching/Glow/Ta Da]

L'animal a l'esquena (Celrà)
From 17/07/2019 to 26/07/2019

Aimar Pérez Galí, Jaime Conde Salazar
( Aimar Pérez Galí, Jaime Conde Salazar )

In this writing residency we shall be concentrating on continuing to write ”Cuadernos sobre el tocar” (“Notebooks on Touching”), a collection of notebooks that systemise the practice of Touching Improvisation we have been developing over the past two years. The notebooks form part of the Radiación +++/Radiation +++ project run by La Panera Arts Centre and the Arnau Hospital in Vilanova de Lleida, with support from the Fundación Daniel & Nina Carasso. We are also starting to prepare for our next production, “Fulgor” (“Glow”) (2021) and in this residency we shall begin to think about the language needed for the project. Using the research we have carried out in recent years into skin and touch, we shall return to the theatre and turn it into a huge dark room. Loosely inspired by Puccini’s Madame Butterfly, “Fulgor” will offer a sensual journey in which butterfly-bodies will appear as a delicate and vivid phantasmagoria, impossible to keep hold of.



 Creation Residence - Associate Project 2019
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RETRATOS ERRANTES

L'animal a l'esquena (Celrà)
From 27/07/2019 to 02/08/2019

La Bolsa
( La Bolsa )

Retratos Errantes/Errant Portraits investigates how to emphasise the individuality of the creative worlds of each performer, with the attentive accompaniment of the company Mal Pelo. The interest in this encounter lies in showing how one group of creators/performers can offer multiple perspectives on each individual within the collective.



 Creation Residence
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THINKING SQUARES

L'animal a l'esquena (Celrà)
From 05/08/2019 to 10/08/2019

Margareta Firinger, Chiara Marolla, Jovana Zelenovich
( Margareta Firinger, Chiara Marolla, Jovana Zelenovich )

Geometry carries emotion within itself. We are always associating shapes and symbols with meanings, memories, history and feelings. How to discover what images, simple and raw shapes are held within us? Thinking Squares is the beginning of a new creation process which delves into the exploration of body movement starting from selected pre-existing geometries, set scores and pre-drawn spatial pathways. Our interest lies in discovering how these structures affect us and how they change our body movement, our choices of being in space and interrelating with other. By using tools such as deconstruction, dissection, collage and replacement we are interested in opening up the many ways we have of looking at the same thing.



 Creation Residence - Associate Project 2019
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SER/BEING

L'animal a l'esquena (Celrà)
From 12/08/2019 to 17/08/2019

Sira Aymerich, Pep Aymerich
( Sira Aymerich, Pep Aymerich )

What Pep Aymerich’s (Sarrià de Dalt, 1962), artistic projects have in common, apart from their diversity and scale, is the presence of the body as a reference point, the precise judgement of the measure of possibilities and reactions of the material he works on, the rigour, conciseness and quality of the finished product. As a craftsman working with wood who is committed (in all meanings of the word) to creating a world with his hands, his work becomes a liturgy for the gaze. In all his creations a profound need for transcendence can be seen, a constant questioning of the conflict of man confronted with the fragility of his existence.



 Creation Residence - Associate Project 2019
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GUÉRILLÈRES

L'animal a l'esquena (Celrà)
From 19/08/2019 to 24/08/2019

Marta Izquierdo
( Marta Izquierdo )

Like many of Marta Izquierdo Muñoz’s projects, her present one ties in with previous work. Practice Makes Perfect (2017) and IMAGO-GO (2018) shared a basic, archaic object: a stick. Traditional stick dances were explored in the former and in the latter entertainers carried a long pole. In this new piece, Guérillères, we find a choreographic framework in a community in action: where in IMAGO-GO this was a little rigid and dysfunctional, here it will be chaotic, organic and utopian.



 Creation Residence - Associate Project 2019
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Octava Errante (Tercer Pasaje)/Wandering Octavia (Third Passage)

L'animal a l'esquena (Celrà)
From 26/08/2019 to 04/09/2019

Mónica Valenciano
( Mónica Valenciano )

Based on her research project “Rehearsals for Nothing”, Monica Valenciano is still shaping a long term process that began in 2017. Her idea is that this should develop through a cycle of contiguous, interdependent pieces.

Like cards that can be shuffled, these pieces can be mixed to produce different compositions and readings all revolving around an exploration of language using the voice of the body - Writing and the Acoustics of movement - The function of the Weaving of space and the Body as a Place of Apparition, the Orchestral or Polyphonic Body.



 Workshop
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Tools for Action

L'animal a l'esquena (Celrà)
From 23/09/2019 to 27/09/2019

Mal Pelo
( Mal Pelo, Pep Ramis, María Muñoz )

Pep Ramis and Maria Muñoz will offer a workshop where you can experience the mechanisms of action and what they can unleash. A look at movement and body-writing in action.
Precision, duration, commitment, intensities, silence, absences, presences, punctuation, habitability, capitulation, phrasiing, lineality, timing, musicality, rhythm and writing are some of the terms we shall be looking at during the course.
To Act: 1. To carry out an action, 2 To make movements and gestures to make something understood, 3 To activate a mechanism.

details




 Workshop
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Tools for Action

L'animal a l'esquena (Celrà)
From 30/09/2019 to 04/10/2019

Mal Pelo
( Mal Pelo, Pep Ramis, María Muñoz )

Pep Ramis and Maria Muñoz will offer a workshop where you can experience the mechanisms of action and what they can unleash. A look at movement and body-writing in action.
Precision, duration, commitment, intensities, silence, absences, presences, punctuation, habitability, capitulation, phrasiing, lineality, timing, musicality, rhythm and writing are some of the terms we shall be looking at during the course.
To Act: 1. To carry out an action, 2 To make movements and gestures to make something understood, 3 To activate a mechanism.

details




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