Because sometimes love means knowing how to let go.
After 24 years sharing their professional and personal lives, Mónica and Colate are setting out on their last dance tour. At an altitude of 4000 metres, the desert of the Andes will test the limits of their relationship and of their bodies.
DUO is a van journey through the arid borderlands between Argentina, Chile and Bolivia. It is also a piece of contemporary dance set in schools and squares in remote villages. And an inner journey for two individuals trying to keep their balance as they come up against their physical and emotional limits.
Pep Ramis and Maria Muñoz will offer a workshop where you can experience the mechanisms of action and what they can unleash. A look at movement and body-writing in action.
Precision, duration, commitment, intensities, silence, absences, presences, punctuation, habitability, capitulation, phrasiing, lineality, timing, musicality, rhythm and writing are some of the terms we shall be looking at during the course.
To Act: 1. To carry out an action, 2 To make movements and gestures to make something understood, 3 To activate a mechanism.
The Mal Pelo workshops are given by the two co-directors of the company, without implying the presence of the two in each session.
Mal Pelo will begin 2020 by resuming the tour of its latest piece, On Goldberg Variations/Variations, at the Teatro Central de Sevilla.
The piece On Goldberg Variations/Variations is based on the musical work Goldberg Variations/Variations by the French-American pianist and composer Dan Tepfer, in which he performs J.S. Bach’s Goldberg Variations in combination with his own variations improvised on the same harmonies.
On Goldberg Variations/Variations twines together lines of language to make a weaving around the work of J.S. Bach. Dance, the voice of John Berger, texts of their own, the manipulated, multifocal sound of the soundtrack, live voice and video projections combine to create this approach by Mal Pelo to the universe of J.S. Bach.
The choreography is attuned to the particular musicality of each performer and the rhythmic and dynamic dialogue between the group and the space.
ATTENTION: maximum capacity for 25 people, reservation required
Corpus presents the encounter between a sculpture, a manipulator of objects and a musician, in the hope of making room for the eloquence of silence and stillness. A fugue for three, unexpected counterpoint, a change of scale, so that, if only for an instant, the invisible can shine through.
Corpus explores the movement of a sculpture in relation to the body - human, animal or vegetable -, giving shape to the bond that everyone has with his or her “body object”, revealing its poetic sense and studying its potential interpretation, transformation and representation both as plastic art and in movement.
The association of Piero Steiner, Andrés Corchero, Pep Ramis and Enric Ases, OSSO CLUB, brings together four artists with very singular creative stories but one shared aim: to pool their individual ways of doing things, their vision of theatre and movement.
La sed y la revolución/Thirst and Revolution focuses on apparently insignificant attitudes, gestures and conversations, used as metaphors for feelings related to the depths and contradictions of the human soul.
L'animal a l'esquena (Celrà) From 17/02/2020 to 22/02/2020
Sociedad Doctor Alonso ( Sociedad Doctor Alonso )
Contrakant is above all a space that doesn’t yet exist and needs to be activated. The energy that activates this space of real friction is rage. Rage against Kant. Immanuel Kant, a German philosopher who developed his ideas during the 18th Century, was the first proponent of Criticism and the father of German idealism. He is now considered one of the most important figures of modern European and universal thought.
Contrakant will consist of a series of encounters between artists using the practices and tools they each bring to look into a set of questions. To avoid an excess of a priori work that might somehow kill off the unknown paths down which this research might reach, we’ll only settle on the basic questions to be put in play at the first meeting. Contrakant will be a series of encounters numbered Contrakant 1, 2, 3… so that following on from the work done in Contrakant 1, and according to the results, problems and questions arising from it, we’ll think how to go about the next encounter.