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Research Laboratory
CONTRAKANT 1
Sociedad Doctor Alonso
On 22/06/2019 at 19:00 in L'animal a l'esquena (Celrà)

Creation Residence
COS-A- COS-O (CUERP(O)-A-CUERP-O)/ HAND TO HAND
Fil d’Arena Teatro-danza
On 29/06/2019 at 19:00 in L'animal a l'esquena (Celrà)

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2019
 Research Laboratory
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CONTRAKANT 1

L'animal a l'esquena (Celrà)
From 17/06/2019 to 23/06/2019
Presentation :
On 22/06/2019 at 19:00 in L'animal a l'esquena (Celrà)

Sociedad Doctor Alonso
( Sociedad Doctor Alonso )

Contrakant is above all a space that doesn’t yet exist and needs to be activated. The energy that activates this space of real friction is rage. Rage against Kant. Immanuel Kant, a German philosopher who developed his ideas during the 18th Century, was the first proponent of Criticism and the father of German idealism. He is now considered one of the most important figures of modern European and universal thought.
Contrakant will consist of a series of encounters between artists using the practices and tools they each bring to look into a set of questions. To avoid an excess of a priori work that might somehow kill off the unknown paths down which this research might reach, we’ll only settle on the basic questions to be put in play at the first meeting. Contrakant will be a series of encounters numbered Contrakant 1, 2, 3… so that following on from the work done in Contrakant 1, and according to the results, problems and questions arising from it, we’ll think how to go about the next encounter.



 Creation Residence
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COS-A- COS-O (CUERP(O)-A-CUERP-O)/ HAND TO HAND

L'animal a l'esquena (Celrà)
From 24/06/2019 to 29/06/2019
Presentation :
On 29/06/2019 at 19:00 in L'animal a l'esquena (Celrà)

Fil d’Arena Teatro-danza
( Irene Ballester, Isabel Abril, Roseta Plasencia, Jose Dopateo Diaz, Hèctor Rodríguez Pérez, Ayoub Rouifi )

The ancestral nature of the human nomad, the sense of a community that moves from one place to another and never settles permanently anywhere.
Exploring the value of the individual in a collective. Looking into personal movement and what brings us together as a group.
A collective body that needs other bodies. Bodies without gender roles.
What happens when different bodies meet as part of the same expressive migration process? What kinds of relationships are formed?
Migration as both exterior and interior movement, that breaks through frontiers and boundaries, allowing for shifts and learning in bodies, disciplines, languages, bodies.
Migration as evolution.



 Creation Residence Collaborative Project
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Tengo Tiempo/I Have Time (from the series Top Mantras)

L'animal a l'esquena (Celrà)
From 27/06/2019 to 04/07/2019

Idoia Zabaleta
( Idoia Zabaleta )

During this residency Idoia Zabaleta will revise the lateral material from her recent creation processes. By lateral materials I mean those that are not central to the creation process but nevertheless keep me company as “good friends” and help me much more than they think. They are modest materials, simple passers by, loyal, that are there through thick and thin, that remind you where you come from, that help you distract yourself or confront contradictions when necessary, that come to visit you, that you can call anytime, that know they won’t come out in the film but don’t mind, even prefer it that way because they are embarrassed, but that always somehow end up as extras or making the sandwiches for the trip. It’s a question of friendship and therefore of time. These are latent images (doors, windows, walls, holes, meadows, caves…), ways of doing things (horizontal, from cold to hot with nothing in between, getting dirty…), gestures (opening and closing your hands, opening and closing your mouth, irradiating the sternum…), prayers (I have time, come on, it wasn’t me, get out if you can, for dear life…), songs (hil zara by Ibon r / g, gure oroitzapenak by Mursego, como lobos by Ainara LeGardon, a shepherds’ song by Chumo de Alvaro Barriuso…) and tangential thoughts (throwing things in the air to see what happens, crosswords, journeys…).



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