Mal Pelo offers a workshop in which to try out the mechanisms of action and what they may unleash. A look at movement and writing with the body in action.

Precision, duration, commitment, intensity, silence, absence, presence, punctuation, habitability, surrender, phrasing, punctuation, linearity, temporality, musicality, rhythm, writing - these are some of the terms that we shall be questioning during this course.

Activate:
Carry out an action.
Carry out movements and gestures to make something understood.
Activate a mechanism.

Mal Pelo workshops are given by the company’s two co-directors, though both may not be present at any given session.

The workshops will be held from 11:30 to 18:30 from Monday to Thursday (with a break for lunch) and from 10:00 a 15:00 on Friday.



Once acceptance has been confirmed, it will be necessary to make a payment of 50% of the enrollment fee (€150) via bank transfer to formalize the registration.

Mal Pelo offers a workshop in which to try out the mechanisms of action and what they may unleash. A look at movement and writing with the body in action.

Precision, duration, commitment, intensity, silence, absence, presence, punctuation, habitability, surrender, phrasing, punctuation, linearity, temporality, musicality, rhythm, writing - these are some of the terms that we shall be questioning during this course.

Activate:
Carry out an action.
Carry out movements and gestures to make something understood.
Activate a mechanism.

Mal Pelo workshops are given by the company’s two co-directors, though both may not be present at any given session.

The workshops will be held from 11:30 to 18:30 from Monday to Thursday (with a break for lunch) and from 10:00 a 15:00 on Friday.



Once acceptance has been confirmed, it will be necessary to make a payment of 50% of the enrollment fee (€150) via bank transfer to formalize the registration.

Apolvere está desarrollando 'Sull’uscio (AL UMBRAL)' — una obra coreográfica que toma forma a partir de la sensación de presagio, entendida como un estado suspendido entre la intuición y la espera, y la articula dentro de un paisaje onírico construido mediante el movimiento, la composición sonora y el diseño espacial. El colectivo investiga el presagio en sus diferentes matices, explorando tanto sus declinaciones funestas como aquellas cargadas de posibilidad.

"Para querer para intentar tenerte ahora" es el primer proceso de creación de un ciclo de investigación sobre la poética objetual del duelo; en esta primera aproximación exploraré la poética escénica de los “objetos-textiles”. Este proyecto de creación nace con el deseo de encontrar el lugar a las "cosas" que ahora lo están perdiendo rápidamente, como el silencio y la memoria de los ancestros.

La mano y los tiempos is a project of artistic research that approaches the body in movement from a poetic, critical and gender persepective. Centred around dance, it explores the hand as a living archive, an expressive tool and an extension of thought, reformulating the idea of space-time in body language. It investigates how hand gestures build memory, stories and subjectivity, embodying historical and cultural dimensions. It articulates stage practice, writing and cross-disciplinary dialogue to generate embodied wisdom. It will be developed at L’animal a l’esquena, Son Tortuga (Mallorca) and Azala (Álava), with the aim of creating a dynamic archive of corporal knowledge.

A project by Milagros García Salgueiro in collaboration with Alejandra Salgueiro.

My first idea: to do a project with my mother, in which she would not only be my mother but also my companion, my collaborator, my first reader, my tutor. To see my mother as a teacher and for her to see her daughter as a dancer.
My second idea: to write together a fanzine about dance, improvisation and education. To create a dialogue between our practices: mine in a dance studio, hers in a classroom.
My third idea: to think of the edition of the fanzine as a glossary. To asign a word to every letter of the alphabet and, from there, let different texts unfold that would put it in dialogue with the core subjects of the project: dance, improvisation and education.

Museo de los relámpagos es una arquitectura fantástica en pequeña escala por la que transitan revelaciones y rebeliones de objetos que pertenecen a distintas colecciones: historias de cosas encontradas por nosotros a través de residencias y trabajos de campo en los almacenes de varios museos; sueños y testimonios de custodios y custodias, estallidos animistas de materias y seres, a veces sagrados, que reclaman una voz, una restitución, un espacio revelado. Este museo es un pequeño inventario de luminiscencias y utopías patrimoniales, de fulguraciones instantáneas y asaltos que fracturan el tiempo para crear un artefacto de ilusiones ópticas sostenido por autómatas, máquinas analógicas, teatros de objetos, vitrinas que se descomponen en pasadizos de memorias críticas, túneles que interconectan varias formas de hacer museo fuera del museo.

Museo de los relámpagos es así una “institución poética”, inventada, que desea desbordar mediante el movimiento de la imaginación material los discursos técnico-históricos y colonialistas que descontextualizan las colecciones, alejando a los cuerpos de los objetos y sus biografías situadas. Un espacio viviente que interroga desde una investigación documental, traducida en clave de fantasía y ciencia-ficción, el anhelo de propiedad en sí de las prácticas patrimoniales: el afán de poseer, acumular, aislar e inmovilizar las circulaciones sociales de las cosas como algo naturalizado en la cultura. Este artefacto es un ejercicio de imaginación política alrededor de las instituciones públicas que se ocupan de conservar los objetos de los países y ciudades.

La mano y los tiempos is a project of artistic research that approaches the body in movement from a poetic, critical and gender persepective. Centred around dance, it explores the hand as a living archive, an expressive tool and an extension of thought, reformulating the idea of space-time in body language. It investigates how hand gestures build memory, stories and subjectivity, embodying historical and cultural dimensions. It articulates stage practice, writing and cross-disciplinary dialogue to generate embodied wisdom. It will be developed at L’animal a l’esquena, Son Tortuga (Mallorca) and Azala (Álava), with the aim of creating a dynamic archive of corporal knowledge.

A project by Milagros García Salgueiro in collaboration with Alejandra Salgueiro.

My first idea: to do a project with my mother, in which she would not only be my mother but also my companion, my collaborator, my first reader, my tutor. To see my mother as a teacher and for her to see her daughter as a dancer.
My second idea: to write together a fanzine about dance, improvisation and education. To create a dialogue between our practices: mine in a dance studio, hers in a classroom.
My third idea: to think of the edition of the fanzine as a glossary. To asign a word to every letter of the alphabet and, from there, let different texts unfold that would put it in dialogue with the core subjects of the project: dance, improvisation and education.